Rubblebucket w/ Twain

Rubblebucket w/ Twain

Wed · March 20, 2019

Doors: 7:00 pm / Show: 8:00 pm (event ends at 11:00 pm)

$18 Advance / $20 Day of Show

This event is 16 and over

Rubblebucket
Rubblebucket
In summer 2015, after finishing a year of intense touring, Rubblebucket’s Kalmia Traver and Alex Toth began the process of bringing their next record to life. As an experiment, Kalmia asked Alex (her longtime romantic partner) to move out while they worked on the album, then accepted the marriage proposal he made during a recording session just a month later.Although Alex soon moved back in, their 11-year relationship ended when the two chose to ‘consciously uncouple’ the following spring—a decision theyhonored by ceremoniously giving each other matching triangular daisy tattoos (a nod to the title track from Rubblebucket’s 2010 EP). But despite all the sadness brought on by their breakup, Kalmia and Alex kept on writing and recording together, ultimately creating Rubblebucket’s most transcendent album to date.

Co-produced by Kalmia and Alex, Sun Machine documents the pain of ending their romantic relationship, yet emerges as an unbridled and often-euphoric celebration of their lasting connection. While the breakup inspired much of the album, Sun Machine is deeply informed by several other life-changing occurrences in recent years: Kalmia’s diagnosis with ovarian cancer in 2013 (followed by a round of surgeries and chemo treatments), Alex’s decision to get sober after a long struggle with alcoholism, and the couple’s three-year-long attempt at maintaining an open relationship. The result is a strange and beautiful paradox: a party album rooted in radical mindfulness, a breakup record imbued with each partner’s palpable love for the other.
Twain
Twain
Following its quiet self-release in 2014, his fifth and most recent LP, Life Labors in the Choir, has steadily gained devoted listeners throughout the globe and continues to blossom today. The album describes a marked evolution in an alluring yet strange and hesitant discography. Progressing from the bashfully childlike sounds of 2005’s Madeline, (now lost), through self-constructed garage multi-track tangles of Sleeping Tree (2007) and Almanack (2008), we hear the progress of a young man struggling to free himself from the shackles of depression and neurosis. In 2010’s Love is All Around, a distinct breakthrough can be felt in the form of a question that challenges the foundation of the doubt and fear running through the early music. This sudden evolution is in no small part owing to the addition of two musicians - Peter Pezzimenti (drums and vibes) and Ken Woodward (basses) - and a sound engineer - Adrian Olsen. The music really began to breathe.
Venue Information:
Aggie Theatre
204 South College Avenue
Fort Collins, CO, 80524
http://www.aggietheatre.com/